E-mail Me! Click Here!
Louisville Music News.net
May 1997 Articles
Cover Story
Kevin Gibson
Features
Vicky Moon
Columns
Berk Bryant
Decimus Rock
Mike Stout
Paul Moffett
Vicky Moon
Vicky Moon
Keith Clements
Tim Roberts
Laura Spalding
Henry C. Mayer
Jimmy Brown
CD Reviews
Bob Bahr
Bob Bahr
Robert Gruber
Tim Roberts
Kory Wilcoxson
Tim Roberts
Jean Metcalfe
Mark Clark
Robert Gruber
Vicky Moon
Paul Moffett
Joseph Dinwiddie
Performance Reviews
Michael Campbell
Vicky Moon
Paul Moffett
Pete Strojny
Bill Ede
Wally Stewart
Tim Roberts
Kevin Gibson
Pete Strojny
Paul Moffett
Calendar
Staff
Paul Moffett
Opinion
Kevin Gibson
Bookmark Louisville Music News.net with these handy
social bookmarking tools:
del.icio.us digg
StumbleUpon spurl
wists simpy
newsvine blinklist
furl blogmarks
yahoo! myweb smarking
ma.gnolia segnalo
reddit fark
technorati cosmos
Available RSS Feeds
Top Picks - Top Picks
Top Picks - Today's Music
Top Picks - Editor's Blog
Top Picks - Articles
Add Louisville Music News' RSS Feed to Your Yahoo!
Add to My Yahoo!
Contact: contact@louisvillemusicnews.net
Louisville, KY 40207
Copyright 1989-2024
Louisvillemusicnews.net, Louisville Music News, Inc.
All Rights Reserved  


Issue:May 1997 Year: 1997
this one

Electro-Shock for President (Touch and Go)

Brainiac

This fourteen-minute disc may be a glorified maxi-single with "Fresh New Eyes" as the star, but it's still worth the cash. That opening tune is fascinating: tough, lo-fi vocals, big production that seethes with circuitry, synth notes that low sinisterly at the bottom, and lyrics with the menace of a Jim Thompson novel. This is a song that I predict won't go away; at the very least, some enterprising filmmaker will smartly place it in a movie.

Brainiac sounds like a product of 1997, but with very strong roots in early '80s European dance music. The robotic/sci-fi/synthesizer schtick is in full effect, but there is an underground grittiness to their music, a malignant force that is even more evident in the words. "Flash RAM" is quaintly retro, but sit down and ponder the puzzle: the lyrics seem to sketch out the complaints of a wronged lover, the voice sounds like a mis-aimed prediction (circa 1975) of human/technological culture at 2000 A.D., and the title is straight out of today's cutting edge computer lingo. Two middle cuts, "The Turnover" and "For My Beloved," are threatening ambient tunes that sound like the noises inside of an amoral machine with advanced artificial intelligence.

The last cut, "Mr. Fingers," is a noisy, slightly crazed bit of pop that presents a character wracked with guilt and fearful for his sanity, who talks to his fingers and admonishes them for what they say and do. Nearly as good as "Fresh New Eyes," it wallomps along on boisterous drumming, damaged bass and guitar, and frenzied percussion samples.

Go ahead, call them square. Titling a song "Flash RAM" certainly justifies the charge. Brainiac probably won't cast you a glance. Their mechanized future renders you obsolete, and that looks like a hint of a smile on the metal faceplate of your replacement unit. No, no. Computers will never buy albums. Perhaps the one thing that this EP may suggest is that we organic beings will pass angst on to our computerized creations. What a legacy.

Bookmark and Share