E-mail Me! Click Here!
Louisville Music News.net
February 2009 Articles
Cover Story
Tim Roberts
Features
Eddy Metal
Jason Ashcraft
Columns
Berk Bryant
Mike Stout
Paul Moffett
Keith Clements
Martin Z. Kasdan Jr.
Eddy Metal
CD Reviews
Kevin Gibson
Hunter Embry
Kory Wilcoxson
Hunter Embry
Hunter Embry
Hunter Embry
Martin Z. Kasdan Jr.
Bob Mitchell
Performance Reviews
Hunter Embry
Bookmark Louisville Music News.net with these handy
social bookmarking tools:
del.icio.us digg
StumbleUpon spurl
wists simpy
newsvine blinklist
furl blogmarks
yahoo! myweb smarking
ma.gnolia segnalo
reddit fark
technorati cosmos
Available RSS Feeds
Top Picks - Top Picks
Top Picks - Today's Music
Top Picks - Editor's Blog
Top Picks - Articles
Add Louisville Music News' RSS Feed to Your Yahoo!
Add to My Yahoo!
Contact: contact@louisvillemusicnews.net
Louisville, KY 40207
Copyright 1989-2024
Louisvillemusicnews.net, Louisville Music News, Inc.
All Rights Reserved  


Issue:February 2009 Year: 2009
this one

High Above

Beyond the Horizon (Wind-Up)
People in Planes

Jimi Hendrix often talked of making colors with his music – regardless of the different types of narcotics in his system, he found that certain sounds produced certain colors. Think of Beyond the Horizon, the second album by People in Planes, as the Starry Night of rock music.

Originally from Wales, the quintet decided to use four producers and seven studios across America to record Beyond the Horizonand it's displayed in each track through an endless amount of creativity that rivals psychedelic pioneers Pink Floyd. However, the album is structured enough to gain lust from the average ear.

"Last Man Standing" is planted by graveyard keys but rides atop an ocean of layered acoustic and electric guitars, each with an individual effect. The rhythmic, driving riff is pecked away by random fluttering noises.

The hip-shaking rhythmic riffs continue in "Get on the Flaw" with a choppy, keyed violin and punching drums before rolling into a chorus of rolling toms, a thick-toned bass line and inventive guitar work played by Peter Roberts, part-time vocalist, full-time songwriter and over-time lead guitarist.

In "Flesh and Blood," Roberts relieves front man Gareth Jones of vocal responsibility, producing ill-pronounced moans aside an acoustic guitar and stiff drum beat in a cooler-than-Death Cab kind of way. The track also bares resemblance to the Cold War Kids at parts, with doors closing, toilets flushing and footsteps.

PIP's Nirvana influence is evident in "Vampire," which would be more appropriately titled, "Lake of Fire pt. 2," because of the repetitive slides up and down the guitar neck and cement-filled kicks offset by a slapping snare. Robert's guitar is untouchable as his quick-picked wah crawls across the smooth vocals of Jones.

People in Planes is comprised of creative and talented musicians that play thoughtful rock n roll with a sincere swagger. Their music is intricate without losing a bite of emotion. It's classic in a sense but one would be pressed to find a band that comes across more modern than People in Planes.

Fly on over to www.peopleinplanes.com.

Bookmark and Share