E-mail Me! Click Here!
Louisville Music News.net
June 1993 Articles
Cover Story
Bob Bahr
Features
Earl Meyers
Staff
Paul Moffett
Paul Moffett
Karen Le Van
Karen Le Van
Columns
Henry C. Mayer
Berk Bryant
Jan Winders
Paul Moffett
Keith Clements
Todd Hildreth
Duncan Barlow
Elaine Ford
Alan Rhody
CD Reviews
Mark Clark
Kory Wilcoxson
Bob Bahr
Allen Howie
John Goodin
John Goodin
Bob Bahr
Bill Ede
Steve Estes
Allen Howie
Performance Reviews
Letha Marshall
Pete Strojny
Jean Metcalfe
Cary Stemle
c. d. kaplan
Henry C. Mayer
Rob Nichols
Jan Winders
Darrell Elmore
Earl Meyers
Calendar
Staff
News Item
Staff
Staff
Deanna Surles
Staff
Preview
Bob Bahr
Book Review
Allen Howie
Photos
LASC
Staff
Michael Layman
Ray Yates
Jean Metcalfe
Staff
Bookmark Louisville Music News.net with these handy
social bookmarking tools:
del.icio.us digg
StumbleUpon spurl
wists simpy
newsvine blinklist
furl blogmarks
yahoo! myweb smarking
ma.gnolia segnalo
reddit fark
technorati cosmos
Available RSS Feeds
Top Picks - Top Picks
Top Picks - Today's Music
Top Picks - Editor's Blog
Top Picks - Articles
Add Louisville Music News' RSS Feed to Your Yahoo!
Add to My Yahoo!
Contact: contact@louisvillemusicnews.net
Louisville, KY 40207
Copyright 1989-2024
Louisvillemusicnews.net, Louisville Music News, Inc.
All Rights Reserved  


Issue:June 1993 Year: 1993
this one

a look back at a supergroup

A Windham Hill Retrospective (Windham Hill)
Montreux

Montreux, the band, is apparently with us no more. This Retrospective is a fine collection of tunes from their too brief career as a group and as a couple of duo projects preceding Montreux proper.

Darol Anger (fiddle, now leading the Turtle Island String Quartet) and Mike Marshall (mandolin, guitar; now leader of the Modern Mandolin Quartet) had played together in the seminal David Grisman Quintet of the late Seventies. After leaving the Dawg house they recorded as a duo and eventually teamed with Barbara Higbie (piano) and Michael Manring (bass) to form Montreux.

Their sound was different, but related to, Grisman's. With a preference for major keys over minor, the tunes were more "pop."and upbeat and less clearly related to bluegrass. The mandolin was prominent but not always the main instrument.

This CD is successful in showing the best of the band's work. Their VH-1 hit "To Be" starts things off and the romping "Free D" is a strong closer. In between are a variety of sounds, from fiddle and piano duets to two cuts that include Andy Narell's steel drums. The only thing missing is any documentation of the freewheeling, improvisational spirit that the Michael Manring version of the band brought to its live performances. However, for now this excellent Retrospective will do.

Bookmark and Share