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way-twisted pop
King Missile (Atlantic)
King Missile
By Kory Wilcoxson
By Kory Wilcoxson
Normal is not in John S. Hall's dictionary. His mind is warped like a rotted board and as twisted as a French braid. And he knows how to use it.
Hall fronts the quirky King Missile, a band that takes a pure pop foundation and adds some mighty strange -- and poetic -- lyrics and spoken words, courtesy of Hall.
You might remember King Missile from their flash in the pan hit "Detachable Penis" about a year ago from their album "Happy Hour." That disc was a perfect mix of sensible pop and nonsensical lyrics, and was a shining moment for the group.
On this eponymously titled album, things drop just a notch. No song, um, comes off as well as "Detachable Penis," leaving a boiling stew of Hall's cranial regurgitations for the listener to sift through.
There are some nuggets here. "Let's Have Sex" and "Bloodletting" are Hall unchained, weaving some far-out thoughts over Dave Rick's chatty guitar. The topper is "The Commercial Song" where Hall's turns an Irish Spring ad into a bloody mutilation while making it all sound like a ride at Disneyworld.
Not all the songs live up to this standard, and at times Hall's babbling wears thin. But I'll guarantee you this: you'll never, ever be bored.