E-mail Me! Click Here!
Louisville Music News.net
October 1994 Articles
Cover Story
Mark Clark
Features
Henry C. Mayer
Henry C. Mayer
Darrell Elmore
Columns
Berk Bryant
Jim Galipeau
Mike Stout
Paul Moffett
Keith Clements
Todd Hildreth
Duncan Barlow
Henry C. Mayer
CD Reviews
Allen Howie
Robert Gruber
Mark Clark
Kory Wilcoxson
Jeff Walter
Mark Clark
Bob Mitchell
Mark Clark
John Goodin
Allen Howie
Jeff Walter
Mark Clark
Kory Wilcoxson
Kory Wilcoxson
Ray Rizzo
Kevin Gibson
Robert Gruber
Kory Wilcoxson
Robert Gruber
Performance Reviews
Matthews
Jean-Marie Ebel
Ninette Shorter
Paul Moffett
Mike Stout
Paul Moffett
Interviews
Mark Clark
Calendar
Staff
Bob Bahr
News Item
Earl Meyers
Book Review
Mike Stout
Errata
Photos
LASC
Jean Metcalfe
Michael Boehnlein
Bookmark Louisville Music News.net with these handy
social bookmarking tools:
del.icio.us digg
StumbleUpon spurl
wists simpy
newsvine blinklist
furl blogmarks
yahoo! myweb smarking
ma.gnolia segnalo
reddit fark
technorati cosmos
Available RSS Feeds
Top Picks - Top Picks
Top Picks - Today's Music
Top Picks - Editor's Blog
Top Picks - Articles
Add Louisville Music News' RSS Feed to Your Yahoo!
Add to My Yahoo!
Contact: contact@louisvillemusicnews.net
Louisville, KY 40207
Copyright 1989-2024
Louisvillemusicnews.net, Louisville Music News, Inc.
All Rights Reserved  


Issue:October 1994 Year: 1994
this one
offbeat, off-key, on a roll
Palace Brothers (Drag City)
Palace Brothers

I can almost imagine Louisville's Palace Brothers as a couple of laidback friends sitting in my den, strumming their acoustic guitars and singing the strange, plaintive little songs they wrote just hours ago.

Their voices crack, they end songs abruptly and I'm never sure how seriously to take them. But I'm quite comfortable with them and I sometimes sing along because, among friends, it doesn't matter if your voice cracks.

Don't get me wrong. The Palace Brothers are not my friends. I know next to nothing about them, since these guys seem to thrive on mystery. I'm told that they are singer-songwriter Will Oldham and guitarist Dave Pajo and that they actually played Lollapalooza. But all I really know is that I've been listening a lot to their new, self-titled CD. Like a friend, it can be puzzling and frustrating, but it has established a comfortable relationship with my boombox.

The underexposed cover photograph offers no clue to the Brothers' identity and no lyrics or liner notes are included. All you've got to go by, really, is ten starkly recorded acoustic cries for help and, ironically, understanding. In these songs, friendship and love are greeted with ambivalence. "When you have no one, no one can hurt you," Oldham sings on the album-opening "You Will Miss Me When I Burn."

Biblical themes and language abound in places; elsewhere, subject matter ranging from the sublime to the ridiculous. In the chorus of "Pushkin," Oldham repeats, like a mantra, "God is the answer ... God lies within." One song later, both Brothers literally bark a couple of times on "Come a Little Dog," which is more yelped than sung.

"I Send My Love to You" is a beautiful, if somewhat nonsensical plea of unrequited love ("The moon is falling, the wounds are calling, my head is bleeding and I'm a duck.") Thunder rumbles ominously in the background of "No More Workhorse Blues," which Oldham concludes with a triumphant bellow: "I am a racing horse, I am a grazing horse, I am your favorite horse."

While there may be some deep lyrical thoughts at work, I won't pretend to understand most of them. Besides, they're often presented in such an offhand manner as to call their sincerity into question.

In short, this low-tech CD is intriguing, compelling, mysterious, bewildering and sometimes frustrating. Why no lyrics sheet, for example? It seems the Pal Brothers are being very careful not reveal too much about themselves. 1 now, we'll have to be content with these blurry but captivating snapshots.

Bookmark and Share