If you think that your taste in music is the coolest, hippest possible, go read this at Idolator.com and be sure to follow the link to the article at Gibson, after which you may play an record you want to, without shame.
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If you think that your taste in music is the coolest, hippest possible, go read this at Idolator.com and be sure to follow the link to the article at Gibson, after which you may play an record you want to, without shame. J. L. Puckett has been a busy fellow this week: he has a lengthy writeup about Buddy Guy, who is playing tonight at the Kentucky Center. He also previews the Dave Brubeck concert tomorrow at Memorial Auditorium, plus announces Harry Bickel’s new band, The River City Rounders. Finally, the Scene’s music editor reviews the [...] They pull a thin blanket over their hypocrisy by claiming that they are doing this to ‘benefit the musicians.’ He’s all for [cooperation] and says that there should be more cooperation. Hizzoner The Mayor still seems to think that music here began and ended with The Monarchs. If you are not pleasantly surprised by the end of your first session, you’re either insufficiently curious or overly websavvy. It becomes clear that the ‘no-audience’ situation here is likely to only get worse. Time to see what the other Louisville media are writing about music in town. With Derby looming on the horizon, most of the Louisville media will be about glitz, glitter and going ga-ga over ’stars’, so it’ll be thin on the music front for a while. TOver at Velocity, Joseph Lord has a long [...] Allan Cowan has a commentary in the C-J about the importance of Arts to the community; Andrew Adler reviews the latest Bach Society offering. Marty Rosen reveals some classical knowledge with his review of the Cavani Quartet’s Sunday performance at Comstock Hall. |
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Beaux Arts Trio Final Bloomington Show
The C-J’s Andrew Adler, a serious fan of piano trios, scooted up to Bloomington for the final Bloomingtom performance by the Beaux Arts Trio, which is disbanding after thirty-plus years. It’s his subject for his Sunday column Critic’s Commentary.